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Graham70 Novice taster
Joined: 28 Jul 2005 Posts: 33
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Posted: Tue Sep 20, 2005 11:26 am Post subject: Land of the Dead |
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http://www.landofthedeadmovie.net/
The new film by George A. Romeo. Following on from his trilogy of Night of the dead, Dawn of the Dead, and Day of the Dead. Apparently only a 15 certificate. Has any of our American forum members seen it yet? |
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Johnny Site Admin
Joined: 02 Apr 2005 Posts: 3556
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Posted: Tue Sep 20, 2005 4:59 pm Post subject: Re: Land of the Dead |
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Graham70 wrote: |
http://www.landofthedeadmovie.net/
The new film by George A. Romeo. Following on from his trilogy of Night of the dead, Dawn of the Dead, and Day of the Dead. Apparently only a 15 certificate. Has any of our American forum members seen it yet? |
Off to see this when it opens on Friday at 2:10pm, will do a review then. Massive Romero fan, especially of Dawn of the Dead and Day of the Dead. I think the negative reviews of the film haven't taken into consideration that this is meant for the cinema but that true fans will get a fuller movie when released on DVD. He's aimed this one at normal cinema goers, but fans of his genre will appreciate the true Romero movie when the Directors cut is released on DVD, only then can we really judge the film in relation to the other 3 films. _________________ https://www.facebook.com/Let-the-drink-talk-675586225966432/ |
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Black Beer Single Maltster
Joined: 24 Jul 2005 Posts: 229
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Posted: Tue Sep 20, 2005 5:03 pm Post subject: Re: Land of the Dead |
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Johnny wrote: |
Graham70 wrote: |
http://www.landofthedeadmovie.net/
The new film by George A. Romeo. Following on from his trilogy of Night of the dead, Dawn of the Dead, and Day of the Dead. Apparently only a 15 certificate. Has any of our American forum members seen it yet? |
Off to see this when it opens on Friday at 2:10pm, will do a review then. Massive Romero fan, especially of Dawn of the Dead and Day of the Dead. I think the negative reviews of the film haven't taken into consideration that this is meant for the cinema but that true fans will get a fuller movie when released on DVD. He's aimed this one at normal cinema goers, but fans of his genre will appreciate the true Romero movie when the Directors cut is released on DVD, only then can we really judge the film in relation to the other 3 films. |
I saw Dawn of the Dead many years ago when i was around 15 and it scared the pants off me. I think this film has become a cult not because it's a horror but because of the survivalist edge, what would you do senario, very similar to Day of The Triffids, The Thing, Night Of The Comet etc, were you are the lone survivors against a world changed, also Invasion of The Body Snatchers and The Omega Man, Planet of the Apes etc all have this theme. I think I'll probably go to see this just to see how they've evolved in twenty years! _________________ Work is the curse of the drinking class.
-- Oscar Wilde |
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Graham70 Novice taster
Joined: 28 Jul 2005 Posts: 33
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Posted: Wed Sep 21, 2005 9:02 am Post subject: |
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Did anyone see the interview with Romero on Monday night on Film 2005? He is still absolutely loving doing these movies and Jonathan Ross didn't totally dish the film. Again when the film is released on DVD it wil be a totally different experience to the media friendly version in cinemas. |
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Johnny Site Admin
Joined: 02 Apr 2005 Posts: 3556
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Posted: Wed Sep 21, 2005 9:34 am Post subject: |
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Graham70 wrote: |
Did anyone see the interview with Romero on Monday night on Film 2005? He is still absolutely loving doing these movies and Jonathan Ross didn't totally dish the film. Again when the film is released on DVD it wil be a totally different experience to the media friendly version in cinemas. |
Hi Graham,
i saw the interview, not very in-depth but it gave quite a good review so should get people out to see it. Hopefully though youngsters will get out the original films and see how powerful his apocalyptic world was. Not sure about bringing a money back into the equation again in the new film, in Day of the Triffids the BBC TV series they start from scratch a whole new world, the idea of going back to a system based on money when you're surrounded by the undead sounds slightly bizarre but I'll have to see the film before I judge it. _________________ https://www.facebook.com/Let-the-drink-talk-675586225966432/ |
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Graham70 Novice taster
Joined: 28 Jul 2005 Posts: 33
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Posted: Sun Sep 25, 2005 11:05 am Post subject: |
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Nearly two decades after George Romero's sadly truncated DAY OF THE DEAD (1986) apparently concluded his apocalyptic zombie series, this grim, gory fable proved there was still life in the dead. Some years after the first corpses rose up to eat the flesh of the living, the "stenches" have inherited the Earth. The living cluster in safe areas like downtown Pittsburgh, protected on two fronts by natural barriers — the Monongahela and Allegheny Rivers — and on the third by soldiers, electrified fences and makeshift barricades. The rich live in the luxury residential/retail complex Fiddler's Green, kowtowing to the despotic Kaufman (Dennis Hopper), while the less fortunate occupy the streets below, numbed by the drugs and honky-tonk entertainment Kaufman cannily supplies. Troublemakers, like budding revolutionaries with homegrown ideas about equitable distribution of resources, simply disappear. Professional scavengers Riley (Simon Baker) and Cholo (John Leguizamo) forage outside for goods in a jerry-rigged tank dubbed "Dead Reckoning," but after Cholo has a falling-out with both Riley and Kaufman, for whom he's been doing dirty work on the side, he commandeers the heavily armed vehicle. Riley and a small crew — tough-as-nails hooker Slack (Asia Argento), brain-damaged sharpshooter Charlie (Robert Joy) and three mercenaries — must retrieve it before Cholo reduces Fiddler's Green to zombie-ridden rubble. Meanwhile, Riley has made the unsettling observation that as the living become ever more casually cruel, abusing the undead for amusement, certain zombies are exhibiting an unfamiliar flicker of consciousness. Though written in the late '90s and reworked in light of 9/11, this film's gloomy worldview is lifted directly from Romero's original DAY OF THE DEAD screenplay and, to a lesser degree, the film itself. The dehumanization of the living by endless zombie killing, the heedless arrogance of the haves and festering resentments of the have-nots and the ruling class' cynical use of bread and circuses to short-circuit rebellion are all there. Romero isn't a subtle filmmaker — the sociopolitical underpinnings of his DEAD films have always been brutally clear — but LAND is alive with subtle touches. In particular, casting African-American actor Eugene Clark as the leader of the awakening zombies is deeply suggestive, since black men have always been heroes in Romero's DEAD films. His sympathy for the living has decreased markedly since NIGHT OF THE LIVING DEAD (1968), and perhaps the lesson of LAND's pessimistic last scene is simply that we all belong dead. — Maitland McDonagh
from: http://online.tvguide.com/movies/database/showmovie.asp?MI=46053
http://www.google.co.uk/reviews?cid=b736a386c2b1c9d7&client=showtimes&fq=land+of+the+dead |
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Graham70 Novice taster
Joined: 28 Jul 2005 Posts: 33
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Graham70 Novice taster
Joined: 28 Jul 2005 Posts: 33
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Anonymous Guest
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Posted: Mon Sep 26, 2005 11:43 am Post subject: |
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Graham70 wrote: |
Nearly two decades after George Romero's sadly truncated DAY OF THE DEAD (1986) apparently concluded his apocalyptic zombie series, this grim, gory fable proved there was still life in the dead. Some years after the first corpses rose up to eat the flesh of the living, the "stenches" have inherited the Earth. The living cluster in safe areas like downtown Pittsburgh, protected on two fronts by natural barriers — the Monongahela and Allegheny Rivers — and on the third by soldiers, electrified fences and makeshift barricades. The rich live in the luxury residential/retail complex Fiddler's Green, kowtowing to the despotic Kaufman (Dennis Hopper), while the less fortunate occupy the streets below, numbed by the drugs and honky-tonk entertainment Kaufman cannily supplies. Troublemakers, like budding revolutionaries with homegrown ideas about equitable distribution of resources, simply disappear. Professional scavengers Riley (Simon Baker) and Cholo (John Leguizamo) forage outside for goods in a jerry-rigged tank dubbed "Dead Reckoning," but after Cholo has a falling-out with both Riley and Kaufman, for whom he's been doing dirty work on the side, he commandeers the heavily armed vehicle. Riley and a small crew — tough-as-nails hooker Slack (Asia Argento), brain-damaged sharpshooter Charlie (Robert Joy) and three mercenaries — must retrieve it before Cholo reduces Fiddler's Green to zombie-ridden rubble. Meanwhile, Riley has made the unsettling observation that as the living become ever more casually cruel, abusing the undead for amusement, certain zombies are exhibiting an unfamiliar flicker of consciousness. Though written in the late '90s and reworked in light of 9/11, this film's gloomy worldview is lifted directly from Romero's original DAY OF THE DEAD screenplay and, to a lesser degree, the film itself. The dehumanization of the living by endless zombie killing, the heedless arrogance of the haves and festering resentments of the have-nots and the ruling class' cynical use of bread and circuses to short-circuit rebellion are all there. Romero isn't a subtle filmmaker — the sociopolitical underpinnings of his DEAD films have always been brutally clear — but LAND is alive with subtle touches. In particular, casting African-American actor Eugene Clark as the leader of the awakening zombies is deeply suggestive, since black men have always been heroes in Romero's DEAD films. His sympathy for the living has decreased markedly since NIGHT OF THE LIVING DEAD (1968), and perhaps the lesson of LAND's pessimistic last scene is simply that we all belong dead. — Maitland McDonagh
from: http://online.tvguide.com/movies/database/showmovie.asp?MI=46053
http://www.google.co.uk/reviews?cid=b736a386c2b1c9d7&client=showtimes&fq=land+of+the+dead |
Terrified the lifre out of me the original trilogy, this is a bit more of a mass amrkewt film but still worth seeing. |
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Geoff Novice taster
Joined: 14 Aug 2005 Posts: 39
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